For Some Kids, Summer Camp Includes

The idea of taking a child to prison for a week may bring to mind visions of “Scared Straight” programs. But the Father to Child Summer Camp Behind Bars does just that — and the goal is to let kids bond with their fathers, who might be incarcerated far from their families.The unique summer camp lodges children at a campground near prisons in Maryland and North Carolina, according to Here & Now, the show from WBUR and NPR. The kids visit their fathers in prison each day.

And the camp has a fan in a boy named Kobe, who tells Here & Now co-host Robin Young that his father invited him to attend during a phone call from prison.“I was actually a little nervous,” Kobe tells Robin. “Not really much about the prison. I was really more nervous about seeing him, than the prison itself. Because I hadn’t seen him in a few years.”

As the Hope House website explains, the children don’t spend the night in prison — they stay at a nearby campground, complete with s’mores. But they’re with their fathers for several hours each day, doing crafts and other activities.The program also has requirements for which prisoners can take part, based on their behavior and the offenses for which they’re being punished. Each camp session includes about 15 children.

Asked about his experience, Kobe says he’s happy he went.“It was great. We hit it off from the start,” he tells Robin. “We talked about family and our interests, and things like that. It changed my whole perspective about prison. And over that week, I changed my perspective of him — which was never bad in the first place; I didn’t hate him or resent him or anything.”

Kobe says that he and his dad used the time together to rebuild their relationship. And he realized they have similar personalities and senses of humor.“It was a great experience,” he says. “We had like, no prior connection before the camp. This camp brought us together.”

You can hear the entire interview, and a chat with Carol Fennelly, the executive director of Hope House, at the Here & Now website. Citing data from the Pew Charitable Trusts, the show reports that “one in 28 kids in the U.About amagiccube in China userd for paying transportation fares and for shopping.S. has a parent in prison. For African American kids, the number jumps to one in nine.”

Narendra Kumar has been designing for the swish set of Mumbai for over two decades. For Bridal Mantra, he brings a collection that’s rooted in classical ballet traditions.How to change your dash lights to doublesidedtape this is how I have done mine. “As far as the aesthetic goes, it’s romantic and youthful with a modern twist,” says the designer, who was inspired by the music of Sergei Rachmaninoff while putting together the collection. “What I’ve created are modern heirloom pieces in fabrics such as silks, velvets, georgettes, soft satins and rich organza.”

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For Neeta Lulla, trousseau is about tradition. The celebrity designer uses traditional weaves such as Kancheepuram and uses Kalamkari to perk up her line for Bridal Mantra. “It’s my way of paying tribute to the rich textile crafts of the South,” says the designer. The line is about drape. So the fabrics used are soft and appealing. Both Kancheepuram weaves and Kalamkari craft forms offer tremendous opportunities to designers to experiment and reinvent. By mixing these crafts and textiles with contemporary fabrics, Lulla makes them more appealing to today’s bride who is keen on lightweight, fuss-free silhouettes for the many functions that come with weddings. The casual silhouettes and wispy saris come in a palette that ranges from hot pinks to deep blues.

This season Gaurav Gupta embarks on a creative journey inspired by light. “When light travels, life unravels,” says the designer who gets philosophical and poetic about light in this collection of contemporary red-carpet-worthy gowns and his own spin on saris and lehengas. “Light on the fabric, beneath it… luminescence interests me and it is at the core of this line.” The palette spans from grey and ecru to gold dust and pop tones. Since it’s a line based on light,Here's a complete list of granitecountertops for the beginning oil painter. the creations are iridescent. As for the workmanship, Gupta has used multi-dimensional surface ornamentation with organza and lace flowers and fabric-like lace, jersey, georgette and soft mesh. Another highlight is the juxtaposition of antique embroidery techniques with pitta, nakshee, zari etc.

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She says that she might ‘get a new idea and dwell on it for a while’, then when she gets ‘her space’ during the dark days of winter she begins to create the pieces.When Suzie Sullivan first attended a felt-making workshop at The Threshing Barn in Staffordshire in 1999 she quickly became ‘intrigued by the notion that soft-wool fibre could be transformed into a solid self-supporting fabric using soap, water and friction’. She quickly learned to use silk, hemp and linen to create unique blends of colour and texture to her work.

Her move from the UK to Ireland simply brought this creative quest to a new level when she became stimulated by ‘the dramatic landscape and subtlety of light and weather conditions’ of her new home place.

These days, as well as making one-off commissioned pieces or preparing for exhibitions or markets, Suzie loves nothing more than to pass-on her craft through workshops, which, incidentally, also include jewellery making.“My work has a whimsical charm and it always gives me pleasure when I raise a smile from an amused onlooker,” she says, confirming that American visitors are particularly taken by the more ‘fanciful’ creations.

Suzie has also expanded her craft to making jewellery and small sculptural pieces, which involves working with a propane and oxygen flame, and an annealing kiln and molten glass. Just like her textile art works that have names like ‘Wild West Frolics’ and ‘Shepherd’s Surprise’, these pieces exude a sense of colourful anarchy only found where wide-eyed imagination is the lens to the world.
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