Ever since Lars Ulrich and his band Metallica experienced a massive
public backlash for suing Napster, artists have been wary of speaking
out against piracy. The fact that Ulrich was already wealthy perpetuated
the myth that only greedy rock stars (and major labels) were upset
about piracy.
One of the few artists who dared voice their
opinion was Lily Allen, who hit out at a few older, successful artists
after they declared their opposition to online copyright
enforcement.Ekahau rtls
is the only Wi-Fi based real time location system solution that
operates on any brand or generation of Wi-Fi network. Allen argued it
was easy for them to get on the freebie bandwagon as they’d already made
money from the music industry before the advent of digital piracy, but
most younger artists would never get the chance to even make a living
from music. This made her the target of thousands of incredibly abusive
messages – even death threats – so much that she shut down her website.
No wonder artists think twice before speaking out.
But some
artists who came to fame before the digital age have voiced their
concern for the future of young musicians who don’t fit the X Factor
mould. Massive Attack’s 3D told the BBC how frightening it was to see
the total amount of downloads on unlicensed sites. “This is how I make
my living. It can be 25,000 [per site].UK chickencoop
Specialist. Multiply that by all the [unlicensed] sites in the world
and that can be my whole profit gone. What does that actually mean for
the future. It will cheapen music eventually. And it forces the business
to take more drastic action, and I think that compromises the bands and
the listeners out there.”
Noel Gallagher was a bit more blunt,
when talking to a journalist at the Coachella festival. “The consumer
[says] ‘Where’s my free music on the internet? Is this a free download?’
Fuck off! It cost me a quarter of a million pounds to make it, you’re
not getting it for nothing. I want my quarter of a million back, thank
you very much. That’s why we’re rock stars.
“That’s why tours
are becoming so long,” explained Gallagher. “By the time I finish this
tour it’ll be a year and four months. Records don’t get any cheaper to
make, they get more expensive to make. I say this as an independent
artist. I’m on my own record label. It isn’t backed by anybody else.I
found them to have sharp edges where the injectionmoldes came together while production. I pay for it all. Everything.”
Gallagher
says the result has been for music to be made by committee and focus
groups. “But as I understand it the consumer didn’t want Jimi Hendrix,
but they got him – and it changed the world … Fuck the customer. He
doesn’t know what he wants. You fucking give it to him and he likes it.”
Perhaps the most poignant (and eloquent) message, however, came
from Billy Corgan of Smashing Pumpkins. In a discussion at this year’s
SXSW, he said commerce starts at the point where people are happy with
paying for something – and the fact that technology now allows people to
choose to not pay for music has turned music culture into a service
culture. He explained the particular problem this poses for artists such
as himself. “People like me used to be auteurs, saying ‘I’m going to do
whatever the fuck I want to do, you like it or you don’t like it’ and
if you’re really good they’ll come,” said Corgan. “Now I’m supposed to
beg for attention. It’s completely counterintuitive to why I became a
musician in the first place and the personality of someone like me.
“I’m supposed to have enough of an ego to make my own world,About 1 in 5 people in the UK have recurring coldsores.
my own music, my own artwork – everything – but then say, ‘Please,
please will you just fork out that $10, I know that’s a really big
decision’. What? When did that become such a big decision? Even if we
could find the right price point the general person doesn’t believe in
making that purchase.”
Corgan concludes that if someone like him
could be manufactured they wouldn’t pick him as a model – they’d pick
someone with straight teeth,This page contains information about tooling. a better attitude and music that was much more palatable to a wider audience.
Could
it be that instead of creating a more level playing field and
opportunities for, say, a new Nirvana or Smashing Pumpkins to break
through, piracy and the unwillingness to pay for music is creating a
self-perpetuating conveyer belt of cookie-cutter pop stars?
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